Legend on the Stage – “This Is It”

Although I knew it is just a final milking from the cash cow by the production company, after watching this “Final tribute to MJ”, I still felt sad and sorry for his departure.

He belongs to the stage: Whatever he did off it, he just shines on it. Even without actually singing those songs (to protect his voice before the real show, as he said), his confident movements proved that he is really the “King of Pop”. Those 80’s costumes and movements might look “out” on anybody else, but just so “in” on him. And he is one of the only two ppl that can make the “black-shoe-white-socks” a fashion instead of a disaster – the other one is the late Bruce Lee. Now they can finally meet in the heaven.

And the stage belongs to him: As one of the two stage directors, he requests for perfection for every detail – echo, lighting, movements of the dancers, etc. The keyboard guy complains that “MJ knows every tone of every single one of his songs”. God knows that most singers have to recite the lyrics and stage positions before every single one of their shows… And I particularly like what he said to that young guitar girl when they were rehearsing for the duo – “It’s your time to shine!”.

Editing based on limited original video clips is never an easy job. (I did some trivial editing jobs recently, and that’s why I understand that.) This documentary really deserves an Oscar nomination for that. Come on, you cannot get MJ to come back and shoot for some additional cuts when you find out that you are missing them… Yup, I heard that some of the scenes were not by the “real MJ”, but, whatever…

There are so many songs that are important to me here: The anti-war “They Don’t Care About Us”, the save-the-planet “Earth Song” and “Heal the World”, the anti-discrimination “Black or White”, and a very special one for me – “Beat It” (cuz I performed this song in an aerobics way with some classmates back to the college yrs…). And so many classic movements: moonwalk, robot dance, “Billie Jean” (you know what I mean…), etc. Just like a “compilation”… After watching all these, you will have the same feeling as I do – why we have to lose him?!

Golden Ages Once More -- "Inglourious Basterds"

Again, I was attracted to cinema by Brad Pitt. Not Quentine Tarantino, cuz so many movies related to his name really disappointed me... Lucky for him, this time he made it right.


There are 5 chapters in this movie (literally), so I would take it more like a "compilation" of 5 short films which are somewhate related.

Chapter 1: The conversation between a French diary farmer and a SS officer (Col. Landa) almost single-handed consists of the whole 20 min, and even within a humble farm house setting! From now on we should pay attention to this name Christoph Waltz, who also brought us several other excellent scenes in the following chapters.

Chapter 2: This is like a brief for the team of "Basterds", in a close-to-Kill-Bill style. And I guess it's this chapter that made this movie got the "M18" classification in Singapore.

Chapter 3: The real story began here -- One leading female role Shosanna (Mélanie Laurent) made her official debut. And with the handsome German Ace sniper Fredrick (Daniel Brühl, who gained worldwide fame by "Goodbye, Lenin!"), I almost thought that this gonna be a "love in war" movie... Luckily, I was wrong. Another conversation (or interrogation?) from Col. Landa, with Shosanna this time, equally breath-taking.

Chapter 4: This chapter reminds me the "Where Eagles Dare"(1968). If you don't know what I'm saying, go find that movie and watch it. I'm pretty sure that Tarantino has already done that. BTW, although I cannot distinguish Munich and Frankfurt accents, I was strangely whispering "shit" when I saw the English Lieutenant gestured his three middle fingers as "3"... And I saw John Woo in the gun-fighting again...

Chapter 5: Shosanna's make-up scene with the 80's Disco music was a little bit "over", esp. when she walked out in a red-yellow-black outfit... The ending of Shosanna and Fredrick was a bit surprising, but surprisingly good. The distorted face and horrible laugh of Shosanna in the fire brought me the feeling of "The Phantom of the Opera"... And the final scene was actually within my expectation, I even wish Pitt could do sth "further"...

Like I said, you can find many elements of those classic spy movies in this one, and Tarantino's biggest accomplishment might be to make you walk out of the cinema laughing after seen so much blood and bloody things. He should thank Brad Pitt in particular.

The Magic of Sandra Bullock

She is not a “pretty girl” any more, but she still got the magic. After “Speed”, she got bad shots like “Speed 2” and “Miss Congeniality 2”, but she got more good ones like “Miss Congeniality”, “Two-week Notice” and the successful re-union with Keenu Reeves in “The Lake House”. This latest “The Proposal” could be considered as a “reversed” version of her “Two-week Notice” with Hugh Grant several yrs ago – you just need to change the boss from a guy to a gal, and of course, change the super assistant from a girl to a dude.

Sandra did quite a good job in playing “tough girls”, like the “wild cat” in “Speed”, and of course, the Tom-boy cop in “Miss Congeniality”. This time, she is once again, playing an icon for all OLs – the all-mighty editor in chief, a.k.a., “the witch”. While Ryan Reynolds is arguably the most handsome assistant ever, you could be daydreaming about having such a considerate assistant that can do everything from OT, bodyguard, party partner all the way to rush out to buy lady’s pads for you at midnight… The funniest thing is, he even drinks the same flavor of take-away coffee with his boss, cuz he’s afraid that he might spilt her share on the way to office…

The whole story is actually quite predictable – the female boss was forced to fake a marriage with her own male assistant, and they had to pretend to be a couple in love in front of the family members and friends of the dude. Jokes are everywhere, and I particularly like those ones that are quite close to our daily office work. Obviously most audience in the cinema shared the same opinion as mine.

BTW Sandra Bullock keeps fit quite well (although not quite sexy…), and when paired with the latest “Sexiest Man Alive”, the nude scene is pretty nice… Feel like that Ryan shares with Andrew (his role in this movie) in one common thing – they both married a powerful woman…

For the ending, everyone knows lah… Plus, the scenes in Alaska are gorgeous.

(This pic was used to make the cinema posters in Singapore, which I preferred. Wonder why I couldn’t find this version of poster online…)

Splendid Feast – “G.I.Joe: The Rise of Cobra”

“G.I.Joe” was the only “boys’ cartoon” I watched during my childhood. Now I could even hardly remember the names in it, don’t mention the stories. But the theme song still rings the bell – “G.I.Joe, G.I.Joe, …”. So I headed to the cinema as soon as I found this “beginning” movie was on.

Basically there are two “winning tricks” to make a real-life movie out of a classic comic book / cartoon: You can either make a much “deeper” (and most of the time, much darker too) story to attract those ppl that never watched the original ones, or just use tens of millions of dollars to “reproduce” those classic costumes, scenes and monsters so that the loyal fans will finally pay the bill. This “G.I.Joe” movie chose the second one, by piling up incredibly advanced weapons, incredibly CG effects and incredibly hot hulks and chicks. Don’t expect anything “abstract” or “reasonable” here – what you should expect is just a splendid feast for your eyes.

Channing Tatum is not good enough for my Duke, but anyway he is not doing much “solo” here (Marlon Wayans a.k.a. Ripcord definitely stole a lot of scenes from him), so I’ll just let it be. Sienna Miller showed me nothing but her sexy curves, and the most unforgivable thing is that she even could not make any chemistry with the Korean heart-throb Lee Byung Hun! On the contrary, Lee Byung Hun did whatever he could to make the impression, including showing his six-packs without any reason in his last scene (OK, I admit, there is one reason for that, the box office…).

To me, he did his Hollywood debut much better than his fellow Daniel Henney. Other baddies are just normal, no difference from other baddies in other movies. The only one that “popped up” is Arnold Vosloo (as Zartan, whom I believe that will have some bigger shares in the next sequel), because another “un-credited” role in this movie is Brandon Fraser (as a Joe trainer). That reminds me the “Mummies” series… Another name to take note is the young Storm Shadow (the adult role by Lee Byung Hun), Brandon Soo Hoo. This little boy is only 14 yrs old, with black belt in Taekwondo, fluent in English, Mandarin and Cantonese, and practicing Wing Tsun now. Could he become the next Bruce Lee?

Notable scenes of this movie:
1. The car racing in the streets of Paris. Although we all know that was not true, just use your imagination pls…
2. The fall of Eiffel Tower. You guys French must got some issue with Hollywood – There are quite several movies recently took this big guy down.
3. The attack of Joe’s under-water troops against the secret base of MARS. That reminds me the Pacific War era – the legendary Hornet and Yamato…

Scenes that could have been better:
1. The first confront between Baroness and Duke. Maybe they wanted to make Joe’s look more powerful, by portraying a group of useless commandos…
2. Fights between Baroness and Scarlett. Come on, two hot chicks are fighting! Can you show us sth hotter?
3. Fights between Storm Shadow and Snake Eyes. Again, we expect more skillful sword-plays. Even the laser swords in Star Wars 30 yrs ago did a better job.

And I can promise you that there is definitely gonna be a sequel. But I really got worried for the writers and director of this coming sequel – how would you make the story when you got Zartan in the office of xxx…

Era of Passion -- "Public Enemies"

That was an era called "The Great Depression", and now it's the era called "The 2nd Great Depression". That was an era that ppl hated the banks that "robbed" their money so that any bank robber could be a super star, and now its the era that ppl hated the banks that "cheated" their money yet the banks still gave huge bonus to their management staff. That was an era of passion, and now it's an era of re-creating such passion, on the screen.

Nostalgia colors, old-school microphones, 30's costume and settings, all these brought us back to that era. But I don't buy it that a Thompson semi-auto can be fired like a M-16, although the gun fighting scenes are awesome, esp the one in the Little Bohemia Lodge and the woods. We've been flooded by bombs, lasers, missles and other modern weapons, so when I heard the gunshots that resemble the real-life ones, it actually touched me more. The other thing I disagree with the camera-men is that why they couldn't just hold the cameras still? I felt like car-sick after the show...

Johnny Depp doesn't look quite like John Dillinger, neither does Christian Bale look like "Little Mel". Aside from the box-office, they earned their roles, I bet, most likely because they always dared to do some "extreme" things in their previous projects, like "Edward the Scissorhands" and "Mechanics". Depp is definitely the star of the whole movie, via the skillful acting that he used to portrait Dillinger from being smart, being aggressive, and finally being desperated. There is only one scene that I felt that he was "over-acting" -- The scene that Billie got arrested. Dillinger was actually surrounded by dozens of special agents, and he acted like he just wanna shout it out. Hard to believe that no one noticed such a strange guy there and just let him drive away like that... The scene that Dillinger visited Chicago Police Department looks quite weird, but I heard that it was based on reality. I just saw Depp walking around like a ghost, weird, but I kind of like it.

Compared to Depp, Bale was not that lucky, for his role, special agent Melvin Purvis, was just not the focus. This is not "Catch Me If You Can" after all.

Our "Dillinger Girl" Marion Cotillard could be hardly categorized as "beauty" in Hollywood. The most impressive scene is when Billie was tortured by that fat-boy agent. Besides earned some points to her career, she also earned a romantic scene with Bale here. ^_^

I actually don't quite like the director to put so much love stories upon Dillinger, but I know that's for the box office...

Better in School -- Harry Potter and the Half-Blood Prince

The first minute of this movie really lighted the fire: Flying together with the Deatheaters caused me feel like car-sick, and the collaps of the Millennium Bridge also brought some "Armageddon" feelings. But then the director seemed to recall the idea, and put the boys and girls back in the school, making the whole thing more like a high school movie. BTW I really don't like the arrangement of the love relationship among our main roles: Ron is too fat for Hermione, and Ginny is just too normal for Harry. I would rather make a H&H couple, and assign Ron back to his bitchy GF. Guess what? I also wanna add some spicy things here by making Drako and Ginny a "Romeo & Juliet" couple! Seriously, why didn't Rowling never think about that?

The later half of the movie made almost all of my friends sleepy, and no exception for me. If the whole thing is about some evil plot, it's obviously not that evil or complicated that we really need our brain cell to digest.

The new professor Jim Broadbent（as Horace）is average, but the mad woman Helena Bonham Carter (as Bellatrix) really drove me mad. There are some "formulas" to play a bad guy in a movie, but she definitely did not get it.

Finally, may the soul of Dumbledore rest in peace...

Older, and Nicer, Maybe? – “Duplicity”

When I first saw the poster and the trailer, I thought that it was a challenge to “Mr. & Mrs. Smith”, and with Julia Roberts on the board. But actually it looks more like a spin-off of “Ocean’s” series – tricks, traps and traveling.

The story-telling is quite nice though, with several pretty surprising turns. But I don’t like some points that were made so “over” – the “vulnerable” travel arrangement department, the messy “battle room” and those magic photocopy machines. In details like dialogues and body languages, these guys showed us some real stuff, and that is not only about Julia Roberts and Clive Owen, but also a full set of supporting roles. I particularly like the exaggerative speech by the CEO Dick (Paul Giamatti), which reminded me some “big bosses” I’ve seen.

Although not that necessary for the story, the scenes in Dubai, Rome, London and other multiple cities in U.S. are quite entertaining. As the big “coming back” of Julia Roberts, the movie company definitely paid a big bill. But shouldn’t the happy mummy tried harder to keep fit before bargaining about such benefits? And don’t even mention the obviously aged faces of both Roberts and Owen – ppl DO get old… Even with a slimmer figure (compared to “Children of Men” and “Shoot’em Up”), it’s quite hard to believe that these two can “seduce” anyone…